The 2017 Academy Award nominations were announced on Tuesday, and I was too lazy to post my thoughts on them at the time. But I’m ready to do so now. Leggo.
First, this year’s crop of nominees is clearly the most diverse Oscar has ever seen. For the first time in history, people of color have been nominated in every acting category in a single awards year. Also, Moonlight‘s Barry Jenkins scored nominations for Best Director, Best Adapted Screenplay, and Best Picture — a trifecta never before achieved by a Black filmmaker.
This year’s awards are so diverse that we could honestly say #OscarsBlackAF. Continue reading “#OscarsBlackAF: My Thoughts on the 2017 Oscar Nominations”
The two best films of 2016 won big at Sunday night’s Golden Globes ceremony: Moonlight and La La Land.
I found both movies to be profoundly touching and transcendent — not to mention exhilaratingly entertaining. And both films hit me in ways that were completely surprising.
Continue reading “Why I Enjoyed “Moonlight” and “La La Land,” 2016’s Best Films”
Nominations for the 2017 Writers Guild Awards, to be held in simultaneous ceremonies in both Los Angeles and New York City on Feb. 19, were announced Wednesday morning. Of course awards-season faves Moonlight, Manchester by the Sea, Loving, and La La Land got nods, but there was (for me at least) one surprise: Deadpool, in the adapted category. Y’know, this may seem farfetched, but I think Deadpool may get some serious Oscar love. If it gets nominated for Best Picture, remember who mentioned it first.
One of the things that’s funny, however, is that Moonlight and Loving are nominated in the original category, but are only eligible for the Adapted category for the Oscars.
Last year, Spotlight won for WGA’s original screenplay and The Big Short won adapted. Both went on to win the same award at the Oscars. Continue reading “2017 Writers Guild Awards Nominations Announced”