“Baby Driver” Doesn’t Need A Sequel

Last week, I saw Baby Driver, a groovy, infectious jukebox-musical action flick that left me floored. The film by turns funny and thrilling, and although his character doesn’t say much, it’ll make a star of leading man Ansel Elgort.

So when I read the news on Wednesday that writer-director Edgar Wright and Sony, which released Baby Driver, were talking sequel, I nearly blew a gasket.

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